|
| KERALA ARTS & CULTURE |
|
Kerala also known as the 'God in God's Own Country' boast of physical and natural attributes that attract a lot of tourists every year from India as well as abroad. Besides the physical beauty, Kerala has a rich cultural heritage, which fascinates the tourists a lot. The art and culture of Kerala portrays various dance forms and martial arts performed with the accompaniment of vocal and instrumental music. All these art forms are performed during some celebration or festivity.
|
|
| Kathakali |
 |
Kathakali literally meaning 'story-dance' is the dance-drama of Malabar which is now culturally and politically known as Kerala’s soul. Kathakali traced its origin to the ritualistic (tantric) period of the Vedic Age and connected its growth from the popular, folk dance dramas. The early Malabari danced in the forests: His dance was a power- a mixture of his passions, erotic pleasures and inner talks with the beauteous Nature, and his natural and graceful movements, elaborate gestures, picturesque costumes, |
grand harmonic make-up suggested by herbal plants of the forests and the vigorous and triumphant music emerging out of the crude instruments manufactured by him. |
| Bharata Natyam |
It is believed to be india's oldest form of classical dance. This dance form which is called poetry in motion, has its hoary origins in the natya sastra written about 4000 b.c. by sage bharatha. This art form grossly disallows new fangled innovations or gimmicks except in repertoire and forms of presentation. It was originally known as 'dasi attam,' a temple art performed by young women called 'devadasis.'
Bharatha natyam is commonly performed by women, but sometimes by men also. There are strict guidelines laid down regarding every single aspect of the art including the attributes required in order to be an accomplished dancer.
|
|
|
| Chakyarkoothu |
 |
Also called koothu, is one of the oldest classical theatre arts of kerala. The solo dance is usually presented in the koothambalam of temples to the accompaniment of the mizhavu and elathalam. The performance begains with an invocation to the presiding deity of the temple. The narration is enlivened with the thandava dance movements, gestures and facial expression according to the guidelines in natya sastra. Koothu is distinct for its comic element which adds to its dramatic character. Themes are usually from the epics. The costume is colourful and bizarre with a strange headgear |
|
| Mohiniyattam |
This classical solo dance form combines the graceful elegance of bharatanatyam with the vigour and dynamism of kathakali, to create a mood that is predominantly sringara (erotic). The dance is usually performed on specially put up stages in connection with temple festivals. The costume is the traditional white mundu and melmundu of kerala. The hair is gathered and put up at the side of the head and adorned with jasmine, int the traditional style. |
|
|
| Thiruvathirakali |
 |
Thiruvathirakali is a dance performed by women, in order to attain everlasting marital bliss, on Thiruvathira day in the Malayalam month of Dhanu (December- January). The dance is a celebration of marital fidelity and the female energy, for this is what brought Kamadeva (the god of love) back to life after he was reduced to ashes by the ire of Lord Siva.
The sinuous movements executed by a group of dancers around a nilavilakku, embody 'lasya' or the amorous charm and grace of the feminine. The dance follows a circular, |
|
pirouetting pattern accompanied by clapping of the hands and singing. Today, Thiruvathirakali has become a popular dance form for all seasons. |
| Kolkali |
| Kolkali: is a group dance form of the farming community in kerala. Twelve to twenty four dancers move rhythmically in a circle around the ceremonial lamp, tapping the two feet long wooden sticks held in their hands. |
|
| |
|
| |
|
|